In the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is naturally straight-backed, his limbs defined beneath a plain tee. On stage, dancers can appear as mighty deities, yet frequently in person they are petite. Not so Ball, whose height is one reason for his popularity for heroic characters and pas de deux work. With delicate traits and intense eyes, there's a hint of Robert Pattinson about him.
An Apparent Rise to the Top
At 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he faced minimal ridicule for his early interest in ballet. Entering the Royal Ballet School at 11, he moved directly into the troupe and was advanced annually, reaching the top rank of lead dancer in 2018. He has relished taking on meaty characters, especially the emotional angst found in Kenneth MacMillan's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's next starring appearance is in a talk, in an "In Conversation" event aiming to offer behind-the-scenes perspectives into a performer's craft. He will guide the audience through a role, showing his mental workflow during execution. Even in more comedic ballets, the challenge is profound. "Don Quixote is one of the toughest from a skill perspective," he notes.
The Psychological Game and Post-Performance Emotions
What about following a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. After Mayerling I'm always like: Wow, what must people think?"
Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a dance maker previously remarked on a "sense of suffering in him." Does this exist? "I am very energetic usually, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."
Early Motivations and Artistic Inspirations
Ball's determination stemmed from youthful experiences. Not excelling in contests at school made him "driven!" It was motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
The next endeavor is making his own dance works. For Ball, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing inspiration from books, music, and art.
Close-Up Dance and Private Partnership
He also is interested in presenting dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple are not usually paired on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite supporter."
Regarding Instagram and Physical Image
On Instagram, followers can see clips from his dance films and photos that highlight a sculpted physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be interpreted on various levels.
Ball describes his younger self as "desperate for success." Has it lived up to his expectations? "I am conscious of how reality is a different thing to the aspirations you made as a young person," he muses. He likely has about ten years of dancing left. "I guess in the time to come, I want to be a bit more kind with myself."